Music and Research – Lecture by Daniel Teruggi

Μουσική και Έρευνα – Διάλεξη του Daniel Teruggi

Το Εργαστήριο Σύγχρονης Μουσικής (ΕΣΜ) σε συνεργασία με το Εργαστήριο Τεχνολογιών του Ήχου και της Μουσικής (ΕΤΗΜ), διοργανώνει μια διάλεξη του Daniel Teruggi. Ο Daniel Teruggi υπήρξε διευθυντής (1997-2007) του ιστορικού ινστιτούτου ηλεκτρονικής μουσικής Groupe de Recherches Musicales (GRM) που ιδρύθηκε το 1958 από τον Pierre Schaeffer. H σχέση του με το GRM ξεκινάει το 1980, όπου και προτοεισήλθε στο χώρο και παρακολούθησε από εκεί στενά την εξέλιξη της τεχνολογίας τις αλλαγές που αυτή επέφερε στη στη μουσική. Στην παρουσίαση του, θα αναφερθεί το GRM και τις μουσικές ιδέες που το περιέβαλαν και θα παρουσιάσει την μουσική του, τόσο ακουστική όσο και ηλεκτροακουστική. Κατά τη διάρκεια της καριέρας του, διατήρησε στενή σχέση ανάμεσα στη σύνθεση και την έρευνα καθώς αυτοί οι δύο τομείς αλληλοτροφοδοτούνται με τις πλούσιες δυνατότητες της τεχνολογίας και τις πάντα πρωτότυπες προσεγγίσεις των μουσικών.

Δευτέρα 3 Ιουνίου 2019
Tμήμα Μουσικών Σπουδών, Θέρμη
12:00, Φουαγιέ

Music and Research – Lecture by Daniel Teruggi

Contemporary Music Lab in collaboration with Sound and Music Technology Lab, is organising a lecture by Daniel Teruggi. Daniel has directed the oldest electroacoustic institution, the Groupe de Recherches Musicales (GRM) which was founded in 1958 by Pierre Schaeffer, from 1997 until his retirement in 2017. He entered the Group in 1980 and has witnessed the evolution of technology and the changes in music making. In his presentation, he will present the GRM and the musical ideas that have surrounded it as well as presenting his acousmatic and instrumental composition. During his career, there has always been a close link between composition and research, both nurturing themselves with the rich possibilities of technology and the always original approaches of musicians. 

Monday 3 June 2019
Scholl of Music Studies, Thermi
12:00, Foyer

Βio | Daniel Teruggi, 1952, Argentina

Daniel Teruggi studied Physics, composition and piano in Argentina. In 1977 he came to France where he studied at the Paris National Conservatory. In 1981, he starts working at INA (National Audiovisual Institute), at the Groupe de Recherches Musicales (GRM). In 1997 he become Director of the Groupe de Recherches Musicales, position he kept until 2017. From October 2001 to 2016 he also directed the Research and Experimentation Department in INA.

He has been active in musical and audiovisual research and regularly composing new musical works. In recent years he has been actively working on the preservation of audiovisual collections and particularly the domain of electroacoustic music, where traditional models of conservation are not effective. He has been the coordinator of the FP6 European project PrestoSpace as well as the FP7 European project PrestoPRIME and participated in the Europeana project. He is a founding member of the Electroacoustic Musical Studies network (, in charge of an annual conference on electroacoustic music analysis.

He has composed more than 80 works, mainly for the concert; using electroacoustic devices in acousmatic situations or with live instruments. He is the author of numerous research articles on the sound and perception of music or musical analysis. His music has been performed in more than 30 countries and published in various collections. He is a founding member of the EMS (Electroacoustic Musical Studies) network.

Doctor in Art and Technology at the University of Paris VIII, he developed an important educational activity at the Paris I University, around sound and the visual arts, Paris IV Sorbonne around the analysis of electroacoustic music and more recently with Paris Est University, Marne la Vallée, where he was responsible for the Acousmatic and Sound Arts Master. He has been visiting professor at the Universities of Hertfordshire (England), University TU Berlin, 3 of Febrero (Argentina), and SMUC of Barcelona. In 2016, he received the “SMPTE Archival Technology Medal Award” for his efforts in the preservation of audiovisual content, especially music.